So I wanted to publish a little back story for each tune on the "Out of Orbit" album, providing the 'inside scoop' if you will, on song histories, lyrical meaning, inspiration, etc. Figured if anyone out there is wondering what the hell these songs are about, it's best to hear it straight from the source. I'll be going in sequence as the songs appear on the album, so today's post is for "Timid Creature".

"Timid Creature" is possibly the eldest song in the Alphanaut catalog, and it certainly is the case on "Out of Orbit". The only other tune that has the same archival depth is "The Best Hasn't Happened Yet" from "The Lunar Age" EP, which was written around the same time. Don't remember which came first at this point. I wrote "Timid Creature" at the end of a painful breakup. The intensity of it all, amplified by youth, caused me to shield myself for a while. The usual defenses system we all go through for protection after such intense split.
As I was writing new material in late 2007 I figured I'd revisit some of my older works, primarily as an excersize to get the creative juices flowing. However, I was also curious to see if there was anything new to rediscover in these songs. "Timid Creature" is one of the few where I directly lifted an element from the original song and carried it over to build the new adaptation around. In this case the base line.
I was fortunate enough to unearth several old cassettes featuring earlier renditions of "Timid Creature". Below are five different versions of the song presented it from it's infancy to it's final state.
v 5.0 - Final Found on "Out of Orbit"The final version of the song wound up being what I referred to as 'The Monster' when it came time to mixing the album. It was so ambitious in it's scope, that I felt very overwhelmed at times when trying to pull it all together. The song passes back and forth between so many live and sequenced elements during it's five and a half minute journey, that it demanded we attended to it nearly every mix session. The challenges involved; pulsating sequenced rhythms to be matched with real drums, synth bass on the verses changing over to live bass on the chorus, keyboard atmospheres galore, Chavo's guitars, plus my wall of vocals passes, each with their own individual effects. Ultimately, in the end I'm pleased with the result, but NEVER, NEVER, NEVER AGAIN!

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